![]() For Seb this is an affront to his neo-bop sensibilities. The first time Seb jams with The Messengers, his jazz piano melody is unexpectedly interrupted by a drum machine (a Native Instruments' Maschine, no less). ![]() And it's a snobbery that constantly holds him back (until - spoiler alert - it arguably sets him free). We learn early on that Gosling's character is an inveterate jazz snob, to the point where his most prized possession is a stool once owned by Hoagy Carmichael. ![]() We see this interaction between old and new most clearly when Seb reluctantly joins The Messengers, a band lead by his friendly rival Keith (Legend). And while there are only a few flecks of modern music, they're crucial to the conflict Seb endures as he tussles with the dilemma of success versus following his dream. Much has been said about La La Land's tribute to musicals of the past. Hurwitz's challenge, then, was not only to score the movie but also to create a musical backdrop to Seb's journey of self-discovery, a journey that ultimately proves to be a crucial fork in the movie's twisting story. But for all of its antiquity, one of the biggest conflicts of the movie is Seb's struggle with pop success after joining his friend Keith (John Legend) in a band that fuses jazz flavors with modern electronic music. ![]() Anyone who has seen the film will know that the soundtrack is largely divided between vintage Hollywood music and classic jazz - the style favored by tortured musician Seb (Ryan Gosling). The man behind that score is Justin Hurwitz. Damien Chazelle's La La Land might not have won that Oscar, but it did scoop up the one for Best Original Music Score. ![]()
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